How long are the Bach Goldberg Variations?
How long are the Bach Goldberg Variations?
An interpretation of Johann Sebastian Bach’s Goldberg Variations (BWV 988), the work launched Gould’s career as a renowned international pianist, and became one of the most well-known piano recordings….Bach: The Goldberg Variations (Glenn Gould album)
| Goldberg Variations | |
|---|---|
| Released | January 1956 |
| Recorded | June 10, 1955 – June 16, 1955 |
| Genre | Classical |
| Length | 38:34 |
What instrument was the Goldberg Variations written for?
harpsichord
The Goldberg variations were first published in 1741, when Bach about 56 years old (in the last decade of his life). They’re named as such because a man named Johann Goldberg, a super skilled keyboardist, was likely the first one to perform it. The Goldberg Variations were originally written for harpsichord.
How long are the Goldberg Variations?
eighty minutes
Goldberg played Bach’s variations to the Count to assuage his sleeplessness and to entertain him during the wee small hours. The piece is eighty minutes long (when all the repeats are observed), and mostly in G major.
What is Glenn Gould’s Bach Goldberg Variations?
Bach: The Goldberg Variations is the 1955 debut album of Canadian classical pianist Glenn Gould. An interpretation of Johann Sebastian Bach’s Goldberg Variations ( BWV 988), the work launched Gould’s career as a renowned international pianist, and became one of the most well-known piano recordings.
Where is the Goldberg Variations by Dorothy Dinnerstein recorded?
Dinnerstein’s Goldberg Variations was recorded in the neoclassic auditorium of the Academy of Arts and Letters in New York in March 2005. The piano she plays, a 1903 Hamburg Steinway model D concert grand, was originally owned by the town council of Hull,
Who plays the Goldberg Variations?
Simone Dinnerstein plays the Goldberg Variations. Move over Glenn Gould, here’s Simone Dinnerstein. The year was 1955. Three things happened: Albert Einstein died, and Glenn Gould recorded the Goldberg Variations.
What do you think about Dinnerstein’s play of Goldbergs?
Now for the actual review: Dinnerstein’s playing of the Goldberg’s has two prominent traits: she takes the set very slowly and her treatment of the contrapuntal interplay — the voice-leading — is remarkable.